Saturday, May 15, 2010
Wednesday, May 5, 2010
Moving to New Domain
As of tomorrow, I hope, you'll be able to find me at www.es-335.org-a much easier to remember location. Also, if I can figure out how to do it, you will be able to become a follower without having to establish a Google account. I'll also figure out how to add more photos and generally make it a better looking more organized blog. For some reason when I exported the blog to the new site, the followers didn't go with me, so you may need to sign up again. Please do.
Monday, May 3, 2010
Pickups: Part 1 PAF to Patent #
This is a pretty big topic, so I'll split into 3 or maybe 4 pieces. There are a lot of good articles that have already been written about Gibson's humbucking pickups, so instead of getting deeply into the evolution and technology, I'll just try to cover the basics to the ES. The PAF-which stands for "Patent Applied For" is the first incarnation of the Gibson Humbucking pickup invented by Seth Lover in the early 50's and in use on Gibson guitars since 1957. The PAF is considered by most to be the best sounding pickup ever made. Not all of them, though. Because they were largely made by hand, there as many different winding patterns as there are pickups. Some have more wire in the middle, some have more at the edges, some have more on one edge, some are evenly wound and every combination in between. Call the brilliant sounding ones "lucky accidents". As they added things like counters which counted how many times the wire was wrapped around the bobbins, they became more consistent. As better winders were introduced, a more even and consistent wind homogenized the sound-made more of them sound exactly alike. This, however, didn't occur until much later and so it is possible to get a great PAF, a good PAF and even a not so good PAF. I've never heard a bad one but they probably exist. The PAF had 2 separate coils and was wrapped with enamel coated wire that was a dark purplish color and from 1958 until they replaced it, the sticker on the back of the pickup said "Patent Applied For". When they finally got their patent, they switched (although it took them years and they put the wrong patent number on them) to a sticker that said "patent number 2737842" which is the patent number of a Gibson bridge. The new sticker was phased in from 1962 to 1963. It is typical to find 335s with one Patent number and one PAF in the 62 and 63 models as Gibson slowly used them up. the guitars which used gold plated pickups made the switch later because there were far fewer of them and the PAFs on hand lasted into the mid 60's-some say as late as 67.
Another change that occurred was a change in the alnico magnet in the pickup. In the early PAFS-through 1960 (or so-nothing happens overnight at Gibson) the magnet was around 2.5" long. These are called long magnet PAFs and are considered the most desirable type. In 1961, the magnet was shortened to 2.25" or so. These are called...wait for it...short magnet PAFs. The short magnet PAFs had the same windings as the long magnet but many say they sound different. I'm one of them. The difference between the short magnet PAF and the early Patent number pickup is the sticker. Period. Nothing else. Yet, a PAF equipped 1962 ES 335 can bring a few thousand dollars more than a Pat # equipped one. Same pickups. I would recommend if you're a player to buy an early 60's ES 335 with Patent number pickups and save some serious money-a few thousand dollars is not out of the question. If you're a collector or investor, buy the PAF equipped one because it will always be more valuable when you're ready to sell. The next change to occur was a change in the type of wire used to wrap the bobbins-a change which occurred in or around 1965. We'll cover those and the T-top type that followed in another post. Oh, and one other point...this will be considered sacrilege by many aficionados but I'll say it anyway. In my opinion, if you want to be assured of a great sounding pickup, get a guitar with short magnet PAFs or the early patent numbers. Almost all of them sound excellent-they are more consistent and you are almost assured of a great sounding well balanced pickup. Why not early PAFs? The problem is that there are hundreds if not thousands of PAFs that just don't sound alike due to winding differences. I've owned long magnet PAFs that sound exactly like short magnet PAFs. I've owned long magnet PAFs that have full resonant lows and screaming highs or dull, lifeless lows and screaming highs. Or compressed highs and dominant mids. Find one you like and keep it no matter what the label says. But I believe you are most likely to get a great sounding pair of pickups if you get a guitar with either 2 short magnet PAFs or 2 early patent numbers or one of each. There are other changes to talk about-double whites, "zebras", no sticker PAFs, chrome covers, nickel covers in phase, out of phase and on and on. We'll get to all that and ways to identify the real deal among the many copies and fakes.
Above: Patent Number
Another change that occurred was a change in the alnico magnet in the pickup. In the early PAFS-through 1960 (or so-nothing happens overnight at Gibson) the magnet was around 2.5" long. These are called long magnet PAFs and are considered the most desirable type. In 1961, the magnet was shortened to 2.25" or so. These are called...wait for it...short magnet PAFs. The short magnet PAFs had the same windings as the long magnet but many say they sound different. I'm one of them. The difference between the short magnet PAF and the early Patent number pickup is the sticker. Period. Nothing else. Yet, a PAF equipped 1962 ES 335 can bring a few thousand dollars more than a Pat # equipped one. Same pickups. I would recommend if you're a player to buy an early 60's ES 335 with Patent number pickups and save some serious money-a few thousand dollars is not out of the question. If you're a collector or investor, buy the PAF equipped one because it will always be more valuable when you're ready to sell. The next change to occur was a change in the type of wire used to wrap the bobbins-a change which occurred in or around 1965. We'll cover those and the T-top type that followed in another post. Oh, and one other point...this will be considered sacrilege by many aficionados but I'll say it anyway. In my opinion, if you want to be assured of a great sounding pickup, get a guitar with short magnet PAFs or the early patent numbers. Almost all of them sound excellent-they are more consistent and you are almost assured of a great sounding well balanced pickup. Why not early PAFs? The problem is that there are hundreds if not thousands of PAFs that just don't sound alike due to winding differences. I've owned long magnet PAFs that sound exactly like short magnet PAFs. I've owned long magnet PAFs that have full resonant lows and screaming highs or dull, lifeless lows and screaming highs. Or compressed highs and dominant mids. Find one you like and keep it no matter what the label says. But I believe you are most likely to get a great sounding pair of pickups if you get a guitar with either 2 short magnet PAFs or 2 early patent numbers or one of each. There are other changes to talk about-double whites, "zebras", no sticker PAFs, chrome covers, nickel covers in phase, out of phase and on and on. We'll get to all that and ways to identify the real deal among the many copies and fakes.
Above: PAF
Above: Patent Number
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